The painter Linda Filipová (1978) is the youngest member of the Czech
surrealist group Stir up. She has a beautiful profession. She is an art teacher
at primary school. The first thing that attracts critic's attention in Linda
Filipová's works of art is the sovereign drawing. It is said that such great
talents are a gift from God. But surrealists are atheists in most cases. From
the full perception of human freedoms, however, they fully respect the
religious freedom of the faithful. If they are endowed with significant
abilities in some way, they speak of talent from nature.
Years ago Linda Filipová
defended her university pedagogical studies with a diploma thesis on Art of the
20th century as an inspiration for teaching art education at primary school. It
discusses the visual arts of the time. It briefly characterizes individual art
directions of this period and consequently it attends to surrealistic art. Then
the attention is attended to the Czech surrealistic art and the origin and
circumstances of the establishment of the surrealistics group Stir up. The
diploma thesis applied part occupation by facture painting origination, that
have been inspired in Vratislav Effenberger´s poetry - Travellers from today to
tomorrow. There is described procedure of art working and also ways out of
source for art working. Twentieth Century Art has also become an inspiration
source in the education of art. The realized lessons tries to stimulate freedom
feeling in pupils, plays with interesting subjects, stimulates make use of
fantasy in pupils.
In the background, at the
starting points of Linda Filipová's studio work, there is, of course, the
fundamental dimension of the educational attainment. That is, the outlook he
applies professionally in didactic contact with school children. Filipová's
independent creative work, however, is completely embedded in the mysterious
magic of the surrealistic perceptions of the world. Also the psychological
perception of man of modern times. In the whole scope of Filipová's individual
artistic expression, one cannot overlook the formed principles of imagination
that lead to the miraculous.
The history of Surrealism is mostly skeptical of female painting talents. We know only a few whose benefits Surrealism has undoubtedly enriched. Let's name Leonora Caerrington, Breton's daughter Aube Elleouët, Meret Oppenheim or Czech-French Toyen. Today, among them, on the scale of her generation, belongs Linda Filipová. It builds on its predecessors mainly by its entirely original authenticity.
Throughout her work, she strives for full imaginative knowledge, which she tries to orientate safely in the conflict between subjective and objective consciousness. Most of the derived forms, those that permeate Filip's work, are the spontaneous result of the author's feelings. In it, the elements of romanticism are functionally connected to the imagination. In her troubling works, Filipová actually anticipates the psychic structure of her development. There's a poetic charge. It is not difficult to observe its transformation into a process with symbolist elements.
Looking at the works of
Linda Filipová´s, the events they depict, and the variations in the ways of
drawing and painting, we come to a convincing conclusion. It reads: We have the
result of concentrated artistic work of an admirably mature author. Filipová
draws mainly on her own inner logic, is original in philosophy and nuances of
artistic performances. They identify themselves with surrealism, especially
when they are looking for solutions to the deadly reality. In the field of such
endeavor Filipová keeps up to date and original authenticity with which he
builds his tower of dreams.
Agulha Revista de Cultura
UMA AGULHA NO MUNDO INTEIRO
Número 149 | Janeiro de 2020
Artista
convidado: Lubomír Kerndl (República
Checa, 1954)
Editor
convidado: Jan
Dočekal
Número especial dedicado ao Surrealismo na
República Checa
editor
geral | FLORIANO MARTINS | floriano.agulha@gmail.com
editor
assistente | MÁRCIO SIMÕES | mxsimoes@hotmail.com
logo
& design | FLORIANO MARTINS
revisão
de textos & difusão | FLORIANO MARTINS | MÁRCIO SIMÕES
ARC
Edições © 2020
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